SEAK Claus Winkler: yesterday having fun painting with my 10/0 forte synthetics Da Vinci brush (small thin), the premium Molotow paint, acrylics. Doing akribic details.
I started this painting in 2010.
It is a wooden press wood kitchen sleeping room cabin type of wooden plate, with staple gunned canvas over, from one side.
Iam painting this unusual format from both sides, like all my paintings.
SEAK Claus Winkler:
I started this painting in 2010.
It is a wooden press wood kitchen sleeping room cabin type of wooden plate, with staple gunned canvas over, from one side.
Iam painting this unusual format from both sides, like all my paintings.
I enjoy seeing the paintings grow in akribic details and charismatic sophisticated complexity.
Those forms all having a logic.
They are all based on letters.
Usual the letters S e a k .
I some times painting the letters together connected to my name SEAK (Seak).
I guess I will paint although more full Seak styles in my painting, in to those single letter spaces, worlds, paintings.
SEAK Claus Winkler:
I enjoy seeing the paintings grow in akribic details and charismatic sophisticated complexity.
Those forms all having a logic.
They are all based on letters.
Usual the letters S e a k .
I some times painting the letters together connected to my name SEAK (Seak).
I guess I will paint although more full Seak styles in my painting, in to those single letter spaces, worlds, paintings.
Compared to me painting with spraypaint (spraycans), on walls, or vehicles, outside my studio, these studiowork painting are taking ages.
Painting a small like here in the picture in let’s say 2m by 2m would take me just few minutes. With spraycans.
SEAK Claus Winkler:
Compared to me painting with spraypaint (spraycans), on walls, or vehicles, outside my studio, these studiowork painting are taking ages.
Painting a small like here in the picture in let’s say 2m by 2m would take me just few minutes. With spraycans.
Iam documenting my artistic process since the mid 1990s online.
My first website was featured, hosted, and embedded by artcrimes.com (graffiti.org) starting in the mid 1990s.
From the 2000er years, I started having a blog showing my art.
People usual get inspired by my work to being successful.
Iam usual recon this indirect by surprise when I stumble over articles in mainstream „legacy“ medias, or visit.
Exhibitions in museums, or see advertisements, and photos from gallery’s and there exhibitions.
I stopped watching mainstream media years ago. I don’t visit gallery’s.
Why should I give energy to others.
I must focus on my own work.
My name encourages people having success.
I enjoy watching museum visits.
No woke, no anti white, no globalists guilt cult exhibitions.
I’ve you have any suggestions what you want see here about, around, regarding my art, and my process, my perspectives, my life, etc, give me a feedback.
SEAK Claus Winkler:
Iam documenting my artistic process since the mid 1990s online.
My first website was featured, hosted, and embedded by artcrimes.com (graffiti.org) starting in the mid 1990s.
From the 2000er years, I started having a blog showing my art.
People usual get inspired by my work to being successful.
Iam usual recon this indirect by surprise when I stumble over articles in mainstream „legacy“ medias, or visit.
Exhibitions in museums, or see advertisements, and photos from gallery’s and there exhibitions.
I stopped watching mainstream media years ago. I don’t visit gallery’s.
Why should I give energy to others.
I must focus on my own work.
My name encourages people having success.
I enjoy watching museum visits.
No woke, no anti white, no globalists guilt cult exhibitions.
I’ve you have any suggestions what you want see here about, around, regarding my art, and my process, my perspectives, my life, etc, give me a feedback.
What I love on painting with acrylics & oil is the unpredictable color nuances and suddle colors, and complex colors which appear.
I steers better quality full wellbeing.
SEAK Claus Winkler:
What I love on painting with acrylics & oil is the unpredictable color nuances and suddle colors, and complex colors which appear.
I steers better quality full wellbeing.
The good thing is when painting with small brushes, detailed akribic paintings is the following.
You aren’t using up lots of energy when you are short on food.
You don’t use up lots of paint, when you are short on paint materials.
You can upgrade your paintings with painting small details to true masterpieces which are although high value without great artificial marketing gallery network structure around with claquers, and art collectors lookalike selling/ commercial structures.
Every different brush I use, creates while using the brush, for painting, a different mindset, vision and vibe, which is enjoyable.
SEAK Claus Winkler:
The good thing is when painting with small brushes, detailed akribic paintings is the following.
You aren’t using up lots of energy when you are short on food.
You don’t use up lots of paint, when you are short on paint materials.
You can upgrade your paintings with painting small details to true masterpieces which are although high value without great artificial marketing gallery network structure around with claquers, and art collectors lookalike selling/ commercial structures.
Every different brush I use, creates while using the brush, for painting, a different mindset, vision and vibe, which is enjoyable.
Search my 1990s beginning 2000s artwork, wall paintings, styles, from wallpaintings, to understand my progress as an artist. Enjoy the ride.
Although lots of artists story’s here on my blog from my artist path.
Be creative in giving something back. Always happy and thankful for your your support.
SEAK Claus Winkler:
Search my 1990s beginning 2000s artwork, wall paintings, styles, from wallpaintings, to understand my progress as an artist. Enjoy the ride.
Although lots of artists story’s here on my blog from my artist path.
Be creative in giving something back. Always happy and thankful for your your support.
Here is a photo from me (German artist SEAK Claus Winkler), work in progress, painting with a small brush, painting akribic details on a small „e“ from my SEAK style.
SEAK Claus Winkler:
Here is a photo from me (German artist SEAK Claus Winkler), work in progress, painting with a small brush, painting akribic details on a small „e“ from my SEAK style.
painting foundations for further details akribic at an upside down green natural small letter „a“.
And no, iam rightwing/ pro white.
SEAK Claus Winkler: painting foundations for further details akribic at an upside down green natural small letter „a“.
And no, iam rightwing/ pro white.
In case I could inspire you here with my art, my artists perspectives, or my indirect subconscious influence, feel free to give me something back.
Give me credit, link/ feature my work, wire me some money/donations, buy/ donate me food, material, legal weapons, comics, rightwing stuff, prepper stuff, useful stuff, an e-bike, a motor scooter, or a motor bike.
Btw this is my palette since a few months.
The form and the color, the habtic from the pallete is crucial for well, good, positive, based thoughts.
SEAK Claus Winkler:
In case I could inspire you here with my art, my artists perspectives, or my indirect subconscious influence, feel free to give me something back.
Give me credit, link/ feature my work, wire me some money/donations, buy/ donate me food, material, legal weapons, comics, rightwing stuff, prepper stuff, useful stuff, an e-bike, a motor scooter, or a motor bike.
Btw this is my palette since a few months.
The form and the color, the habtic from the pallete is crucial for well, good, positive, based thoughts.
These abstract looking, stylized forms are usual the letters S e a k.
In a later stage, or on the next level with in painting my paintings, in my work rotation I will make sure to paint S e a k letters in total different aesthetics and flavor, and appeal, in my paintings.
Maybe although in smaller.
Creating variation.
Although in different contrast colors.
Different contrasting aesthetics.
SEAK Claus Winkler:
These abstract looking, stylized forms are usual the letters S e a k.
In a later stage, or on the next level with in painting my paintings, in my work rotation I will make sure to paint S e a k letters in total different aesthetics and flavor, and appeal, in my paintings.
Maybe although in smaller.
Creating variation.
Although in different contrast colors.
Different contrasting aesthetics.
My work looks so organic cause it is hard (I guess) & difficult painting straight, sharp, lines, structures and akribic details free hand, fast, and complex and freestyle.
In the 1990s I started making my absence, inability of spraypainting clean crisp keen sharp lines my advantage.
I painted round soft organic.
No one wanted painting liked that. I did the opposite from what everyone did.
I embraced my weaknesses, and my cultural influences, and made that my style creating something new and unique, which made me in my niche of the arts world famous.
SEAK Claus Winkler:
My work looks so organic cause it is hard (I guess) & difficult painting straight, sharp, lines, structures and akribic details free hand, fast, and complex and freestyle.
In the 1990s I started making my absence, inability of spraypainting clean crisp keen sharp lines my advantage.
I painted round soft organic.
No one wanted painting liked that. I did the opposite from what everyone did.
I embraced my weaknesses, and my cultural influences, and made that my style creating something new and unique, which made me in my niche of the arts world famous.
Iam getting there.
Step by step process.
This painting grows like all my paintings from both sides.
I don’t care what the artmarket or the artworld thinks.
I inspired so many other artists, ccreatives, designers, curators, the society, politicians, social engeneerer, good and positive, aswell evil, bad, and destructive things in the world in the last 35 plus years.
Growing my work to depth rich facette rich, contrast rich on multiple levels masterpieces.
Support and back me up how think is best.
You know what do. Appreciated.
SEAK Claus Winkler:
Iam getting there.
Step by step process.
This painting grows like all my paintings from both sides.
I don’t care what the artmarket or the artworld thinks.
I inspired so many other artists, ccreatives, designers, curators, the society, politicians, social engeneerer, good and positive, aswell evil, bad, and destructive things in the world in the last 35 plus years.
Growing my work to depth rich facette rich, contrast rich on multiple levels masterpieces.
Support and back me up how think is best.
You know what do. Appreciated.