Geht es in meiner Kunst, aufgrund der konotierungen in meinem Namen, um die Frage: “ Ist die Schnur drin? “
SEAK Claus Winkler:
Does my art, due to the connotations in my name, revolve around the question: “Is the string inside?”

SEAK Claus Winkler: Geht es in meiner Kunst, aufgrund der konotierungen in meinem Namen, um die Frage: “ Ist die Schnur drin? “
SEAK Claus Winkler:
Once look expressionless so that one serves as a projection surface for everyone and says nothing.
Smiling doesn’t work anyway because the punks punish men who smile. Besides, I can’t smile on command.
Not even fake media laughing. Cramp.
I should laugh more.
For myself, that is.

SEAK – artiste célèbre, €450k, 25 ans, deux côtés, spray-mix. Pas en ligne – vivez-le. Investissez direct!
SEAK Claus Winkler:
Das Bild, bzw diese Rückseite dieses Gemäldes, hat zur Zeit für mich 3 Lieblings Detail stellen.
Der Vordere rechte Teil des leucht S unten.
Der Hintergrund im untern mittel Teil des grünen S im Zusammenspiel mit dem grünen S .
Der linke hintere serifen Teil des S oben, wo die blauen Lamellen sind
SEAK Claus Winkler:
The artist digesting a soup.
Lost 6 kg in the last few weeks.
For the ladies, he is 183.4 cm tall, average cut, can only be with women who can cook and bake and are between 18 and 24 years old because he wants to have many children with each woman.
No over-25 grandmas.
Only German women. Please spare me the bitter shaming from cat ladies, over-28 great-grandmothers.
The artist was in his 20s and 30s with a woman 12 years older.
Therefore, extremely demanding when it comes to good housewives.
Yes, he knows in times of Porsche Insta hypergamy and hoe-flation, it’s completely insane.
SEAK Claus Winkler:
I’m practically wearing nothing except my trekking sandals, my dark blue fabric trousers, my belt with a hammer holder, and my carpenter’s hammer with a wrist strap.
I even have it with me when swimming in the lake, on the toilet—always.
But that won’t suffice if groups of twenty start acting up.
I need legal solutions.
I want to be absolutely secure in any contact with the police because everything is legal and compliant with §42a.
I’m curious whether the knife, shortened to 6 cm, can be deemed acceptable?
If so, and if I have money again, I will invest in Jörg Sprave.
If.
For the Scuba Ashinger and the Scuba MK2, dashcam attachments with microphones would be good.
So that one can document sports situations.
Just an idea. Wearable dashcams that automatically activate for clothing, etc., would also be good.
As well as rearview mirrors on glasses and caps.
As attachments. So one can see who’s coming from behind.
The attacks I’ve experienced mostly came from behind.
I’m curious when they’ll implement the assembly and demonstration ban directly or indirectly for the Americans here.
Multi-ethnic shithole states can only be governed and held together in a totalitarian manner.
We will get a fascism that will be intense.
⸻
SEAK Claus Winkler:
Post soup photos.
Sweating profusely.
In foresight, I already took off my chic white men’s shirt beforehand.
Small can of cheap Thai soup with a red logo, old overcooked semi-mealy slimy zucchini, another can of tuna.
Hopefully, my stomach will calm down for now.
⸻
SEAK Claus Winkler:
183.4 cm

„سياك – أيقونة فنية، 450,000 يورو، 25 عامًا، جانبان، رذاذ-أكريليك. الإنترنت لا ينفع – جربوها حية. اشتروا الآن!“
SEAK Claus Winkler:
Zwei SEAK schriftzüge, auf der Rückseite einer Leinwand die ich auf der Kunstverein Semikolon Bonn Vernissage meiner Einzelausstellung als Live Performance gesprüht habe.
Ein paar Tage vor dem 11. September.
Da bin Ich dann für einen Monat zum Malen und Ausstellen nach Neu Zeeland, und Australien geflogen.
Ich würde sagen diese Seite ist weiterhin in der Entstehungsphase.
Allerdings gefällt sie mir schon gut.
SEAK Claus Winkler:
An authentic photo.
They always say from blue pill normie NPCs, just be yourself.
SEAK Claus Winkler:
I added the black lettering around it a few months ago.
Now that Germany and Europe are screwed, the fat cats, if they ever buy the painting, can also see the reality.
No one bought it all these years.
I must say, though, that I don’t really know any rich people. Without that, it would be too shallow in times like these.
Aesthetically, I like the oil lettering. Content-wise, of course, it’s disgusting.
Because it’s true. Finger in the wound, with a big spoon of salt, and then stir.
I think I stole the “everyone except Germans” from Martin Sellner IB and/or Manfred Kleine-Hartlage.
The “cui bono” from Robert Greene, who got it from antiquity.
The birth jihad from a former client, one of us.