Work process. I have a color I like to work with. Being it beneficial for my wellbeing, I just ‚ like ‚ the color without reflecting. Maybe I had choosen a with intuition? Though is intuition possible when knowing color meanings, conotations? Maybe I just paint with a color on my palette ( box/ bucket/ square/ round, where ever is color.) I usual collect with in the same floor pieces where it makes sense painting. I drape/ stand/ put/ lay/ stuff/ paintings around where I sit/ stand where I paint. Like my Guineapig when I was child building a hay nest, my exgirlparents hunting dachshund, with his cuddleblanket, building his space. I choose for listening a film (you tube english/ German ), rare music, a lot of times audiobooks. A lot of times a audiobook ive listen a lot of times. I always have a large tea cup, a 1 1/2 ltr can with tea/ water (crane). Depending color/ nuance i work with, if let go playing pure abstract with the brush with in a painting, i catch myself if having naying/ block/ barrieral/ thoughts. I catch myself, switch immideate to a clear hetero, narrative envisioning a life with rotation from attractive highinterest bio- females ( 9s/ 10s), drama free. Iam Balancing conotations/ energy’s the speakers iam listening, triggers which become activated from for example a Capri/ angle free tight pants/ non socks/ feminine/ agressive cruising young man who chased me a day before, at a discounter/ supermarket shopping food. From signals/ his bodylanguage bottom twink/ feminin Hubby look for Bull for Hwife. He competed with a heterocouple looking for a man, while me was just keeping people with my trolley at bay. ( Covid/ wrong target / non judge/ clarity/ focused healthy food). Those with color/ form/ movement/ feelings connected situations I while painting do reframe, with a forme feel good narrative. ( females 9/ 10s/ legal, ) while seeing the situation with Top Perspektive.
It was always my freeport for the unfinished ( thought finished paintings). The room looks like a cronstruction sight, rough raw walls, etc.
a few sentence ago, i had the hunch why i like building/ constructing things/ like rough raw things. The room is under the roof, so it good the roofs site angle I although have with in my name’s letter ‘ K ‘. At that floor, although my clothing room, and my sleeping room. Back in the days it was the guest room ( 2000 to circa 2007 lost of artist friends/ collegs, non famous/ famous/ infamous/ legendary/ as visitors over there. Before 2000 I had was accommodating with in my flat close to central station cologne ( circa 1 1/2 year). Before I was sending them to friends. For pressuring human intimacy needs after painting we usual did at times
visits to brothels with in the Rhineland.
So that guest room, became my sleeping room. It was 1950s/ 1960s where my father did his studys. The room is still in authentic conditions. Like everything at that floor. This room/ floor looks/ directs with in Carl Spitzweg’s infamous Biedermeier time oil painting ‘ Der arme Poet ‘ ( The poor poet ), or a boeheme existentialism Paris late 1800s/ 1900’s till 1960s French/ Paris students/ painters apartment. All connotations which might primed me becoming in which I developed in.
Artist, Künstler SEAK Claus Winkler: The Top floor rooms after the stairways are with in the original 1950s condition, from the house building. The larger room where had a lot paintings ( thought finished) from circa 2005 till a few years, is with in it’s unfinished conditions although since the building in the 50’s. I had art collectors here which thought with that room, never painted there.
It was always my freeport for the unfinished ( thought finished paintings). The room looks like a cronstruction sight, rough raw walls, etc.
a few sentence ago, i had the hunch why i like building/ constructing things/ like rough raw things. The room is under the roof, so it good the roofs site angle I although have with in my name’s letter ‘ K ‘. At that floor, although my clothing room, and my sleeping room. Back in the days it was the guest room ( 2000 to circa 2007 lost of artist friends/ collegs, non famous/ famous/ infamous/ legendary/ as visitors over there. Before 2000 I had was accommodating with in my flat close to central station cologne ( circa 1 1/2 year). Before I was sending them to friends. For pressuring human intimacy needs after painting we usual did at times
visits to brothels with in the Rhineland.
So that guest room, became my sleeping room. It was 1950s/ 1960s where my father did his studys. The room is still in authentic conditions. Like everything at that floor. This room/ floor looks/ directs with in Carl Spitzweg’s infamous Biedermeier time oil painting ‘ Der arme Poet ‘ ( The poor poet ), or a boeheme existentialism Paris late 1800s/ 1900’s till 1960s French/ Paris students/ painters ap
Artist, Künstler SEAK Claus Winkler: I deduct, I observe my workprocess, aswell as my paintings during the work with perspective me having always 2 or 3 women. With this Iam following the triggers, conoations with in my name from a high value man perspective. With my natural male strategy keeping the women ( female natural hypergamy, smartphone, Dms, 1000s of waiting in line willfull orbiters/ thirsty guys lined up from her to exchanging me) at there tiptoes/ busy chasing me ( growth/ sport/ life’s purpose 24/7/365) I although watch/ deduct/ my paintings.
I observe female behavior from biological women / adult girls persuation techniques with a Redpill lense/ perspective. The same with samesex people/ lgbtq‘s. With what beavioral patterns, codes, colors. yes hankycodes, but more important although plain color combinations, facepiercings, jewelery, watches, haircuts, thoughts, triangle, female winggirls, they fullfill/ organize there persuasion/ seduction strategy’s. I do the same with same with sales people, youtube channel protagonists, song lyrics, politicians, etc. depending the painting these observations becomes a part with in my synesthesie with in my paintings. I observe how/ what my influence with my paintings in people/ animals/ society/ culture/ politic. I rededuct different/ ritualized/ rechanneled thought patterns/ tastes/ moods, with which painting with in which colors, forms, habtic, size, appeal, age, technique, is where with in my Studiohouse. I although watch which photo, cut out newspaper article, book, little x (thing ) lays where. What is there else? What color does everything has there? What symbolise what there? If the view what be a advertisment, painting, a graphic with the intent to program, to influence me, what is does influence me how/ where/ why?
Artist, Künstler SEAK Claus Winkler: Work Progress
I observe female behavior from biological women / adult girls persuation techniques with a Redpill lense/ perspective. The same with samesex people/ lgbtq‘s. With what beavioral patterns, codes, colors. yes hankycodes, but more important although plain color combinations, facepiercings, jewelery, watches, haircuts, thoughts, triangle, female winggirls, they fullfill/ organize there persuasion/ seduction strategy’s. I do the same with same with sales people, youtube channel protagonists, song lyrics, politicians, etc. depending the painting these observations becomes a part with in my synesthesie with in my paintings. I observe how/ what my influence with my paintings in people/ animals/ society/ culture/ politic. I rededuct different/ ritualized/ rechanneled thought patterns/ tastes/ moods, with which painting with in which colors, forms, habtic, size, appeal, age, technique, is where with in my Studiohouse. I although watch which photo, cut out newspaper article, book, little x (thing ) lays where. What is there else? What color does everything has there? What symbolise what there? If the view what be a advertisment, painting, a graphic with the intent to program, to influence me, what is does influence me how/ where/ why?