In the realms of graffiti, process art, and contemporary art, SEAK Claus Winkler produces works that forge a special connection and resonate with collectors globally.
In der Welt der Graffiti, der Prozesskunst und der zeitgenössischen Kunst schafft SEAK Claus Winkler Werke, die eine besondere Verbindung eingehen und Sammler weltweit ansprechen
SEAK Claus Winkler:
The current stage from this “S” in this painting.
I build the canvas & started the painting around 2000/2001.
My S are getting the non aerodynamic transportation bulky practical stubborn spaceship look appearance I like.
The orange square thing in the middle in the background is a small “a”.
SEAK Claus Winkler:
The current stage from this “S” in this painting.
I build the canvas & started the painting around 2000/2001.
My S are getting the non aerodynamic transportation bulky practical stubborn spaceship look appearance I like.
The orange square thing in the middle in the background is a small “a”.
I like the unusual look this work in progress state “S” have.
Like those unusual special work/ functional vehicles/ cranes/ models/ car/ tank/ ship/ plane/ helicopter/ spaceships/ vehicles.
The a huge variant side step from the norm.
Every letter, object, has a character, like vehicles are having character & personalities.
The “W”’s and “k”’s and the suggested “g” between the “nk” in my name, are making people just having a superficial glimpse type of connection with me and my work, i guess?
In a later stage i will add further rich personality & unusual spaceship style Letters ( S e a k ) in the painting.
SEAK Claus Winkler:
I like the unusual look this work in progress state “S” have.
Like those unusual special work/ functional vehicles/ cranes/ models/ car/ tank/ ship/ plane/ helicopter/ spaceships/ vehicles.
The a huge variant side step from the norm.
Every letter, object, has a character, like vehicles are having character & personalities.
The “W”’s and “k”’s and the suggested “g” between the “nk” in my name, are making people just having a superficial glimpse type of connection with me and my work, i guess?
In a later stage i will add further rich personality & unusual spaceship style Letters ( S e a k ) in the painting.
SEAK Claus Winkler verbindet in seinen Werken Street Art, zeitgenössische Kunst und moderne Malerei zu einer außergewöhnlichen Fusion, die weltweit Sammler in ihren Bann zieht.“
SEAK Claus Winkler:
Iam happy that I have chosen the path of painting my art on transportable movable surfaces like canvas, woodeplates, metal, cardboard and paper.
The fact that is white people are getting exchanged in europe, and depopulated.
The Un population exchange pact. ( iam not sure if i have pronounced/ written it right.
It’s an official Un plan, to exchange, and race mix the 7% minority of white people in the world in the former white “western” world/ countries like Europe, USA, and down under. )
On top comes the fact that we will due demography loosing the democracy in exchange to a caliphate and before that communism.
With my art as paintings, transportable, me, and possible future offspring of mine can be maneuverable.
It is although a great possibility to extract, and take my work and energy away, keeping it away, from a people, and foreign in “my” own former land / “Homeland”, iam not connected to.
The question in the future will be where will white people will concentrate in the future, to having in mind where to migrate/ emigrated to when the things here in germany and the Eu are progressing like they do at the moment.
Germans are already the minority, not even the second largest in large parts of germany. Ethnic vote/ elections.
SEAK Claus Winkler:
Iam happy that I have chosen the path of painting my art on transportable movable surfaces like canvas, woodeplates, metal, cardboard and paper.
The fact that is white people are getting exchanged in Europe, and depopulated.
The Un population exchange pact. ( iam not sure if i have pronounced/ written it right.
It’s an official Un plan, to exchange, and race mix the 7% minority of white people in the world in the former white “western” world/ countries like Europe, USA, and down under. )
On top comes the fact that we will due demography loosing the democracy in exchange to a caliphate and before that communism.
With my art as paintings, transportable, me, and possible future offspring of mine can be maneuverable.
It is although a great possibility to extract, and take my work and energy away, keeping it away, from a people, and foreign in “my” own former land / “Homeland”, iam not connected to.
The question in the future will be where will white people will concentrate in the future, to having in mind where to migrate/ emigrated to when the things here in Germany and the Eu are progressing like they do at the moment.
Germans are already the minority, not even the second largest in large parts of germany. Ethnic vote/ elections.
My art, is an indirect away of showing what i think, of the declining Germany/ Europe, the anti white, anti german, anti male, leftists,multicultural, modern culture, anti western culture, masculinity, chauvinism, tradition, architecture, and history bombed away and erased by the USA, the uk, the bankers/ globalists, the leftists, etc behind them.
And, then later the weak, dekadent, boomers, and there politicians, the leftists, the exchanged population (invaders) and the results we are having today and in the future.
So Iam turning my back on the society, and prefer painting, not participating, instead Iam painting.
So the fact that I am painting in my studio speaks volumes.
When Iam in my free time, at least here in Germany, Iam avoiding here europe anybody which appears non ethnic European, and or is leftists, as well as system gaslighters, etc.
Of course I keep a believeable fake natural but distant cold symphatic public facade, including mirroring, pacing, the communication strategy of “stealing the frame “, as being professional courteous and distant at the same time , “friendly” unshaken/ un stirred (höflich freundlich ungerührt).
My way of passive peaceful resistance is practicing tribal thinking, and pro active supporting it in a cold atomized society, if it is not my ethnicity.
Radical acceptance, radical reality.
How can i practice pro active segregation, and white flight, in every aspect of my every day life?
And how can i perfect that?
SEAK Claus Winkler:
My art, is an indirect away of showing what i think, of the declining Germany/ Europe, the anti white, anti german, anti male, leftists, multicultural, modern culture, anti western culture, masculinity, chauvinism, tradition, architecture, and history bombed away and erased by the USA, the uk, the bankers/ globalists, the leftists, etc behind them.
And, then later the weak, dekadent, boomers, and there politicians, the leftists, the exchanged population (invaders) and the results we are having today and in the future.
So Iam turning my back on the society, and prefer painting, not participating, instead Iam painting.
So the fact that I am painting in my studio speaks volumes.
When Iam in my free time, at least here in Germany, Iam avoiding here in Europe anybody which appears non ethnic European, and or is leftists, as well as system gaslighters, etc.
Of course I keep a believeable fake natural but distant cold symphatic public facade, including mirroring, pacing, the communication strategy of “stealing the frame “, as being professional courteous and distant at the same time, “friendly” unshaken/ un stirred (höflich freundlich ungerührt).
My way of passive peaceful resistance is practicing tribal thinking, and pro active supporting it in a cold atomized society, if it is not my ethnicity.
Radical acceptance, radical reality.
How can i practice pro active segregation, and white flight, in every aspect of my every day life?
And how can i perfect that?