Time Rendered in Layers: SEAK’s 360° Paper Archive (2010–Ongoing)




EN: Rare paper work by SEAK with five distinct styles — equally painted from all sides since 2010. A complete 360° collector’s archive.
ZH: SEAK的珍贵纸上作品,展示五种风格,自2010年起从所有面向均等创作而成,完整的360度收藏档案。
ES: Obra rara sobre papel de SEAK con cinco estilos distintos, pintada de forma equilibrada desde todos los lados desde 2010. Un archivo de colección de 360°.
DE: Seltene Papierarbeit von SEAK mit fünf Stilen – seit 2010 gleichwertig von allen Seiten bemalt. Ein vollständiges 360° Sammlungsarchiv.
SEAK – Five Styles in One: A Paper Work in Progress (2010–)


Where artistic evolution meets archival depth


Rarely does a single piece encapsulate such a span of time, intent, and stylistic invention. This large-format paper work by SEAK Claus Winkler is an ongoing project — a multidirectional experiment in graffiti-rooted abstraction, layered meticulously from all sides since 2010.


What makes it exceptional: not only are five distinct stylistic languages visible on the front — from biomorphic forms to architectural sharpness — but every side of the work has been equally treated. The reverse and hidden layers are just as resolved and important. The work becomes a total object, alive in 360°, embodying SEAK’s principle of full commitment to each piece, seen or unseen.


Collectors and curators seeking rare access to SEAK’s evolving grammar will find in this work a museum-grade archive — quietly powerful, and impossible to replicate.

SEAK – Five Styles in One: A Paper Work in Progress (2010–)

Where artistic evolution meets archival depth

Rarely does a single piece encapsulate such a span of time, intent, and stylistic invention. This large-format paper work by SEAK Claus Winkler is an ongoing project — a multidirectional experiment in graffiti-rooted abstraction, layered meticulously from all sides since 2010.

What makes it exceptional: not only are five distinct stylistic languages visible on the front — from biomorphic forms to architectural sharpness — but every side of the work has been equally treated. The reverse and hidden layers are just as resolved and important. The work becomes a total object, alive in 360°, embodying SEAK’s principle of full commitment to each piece, seen or unseen.

Collectors and curators seeking rare access to SEAK’s evolving grammar will find in this work a museum-grade archive — quietly powerful, and impossible to replicate.