So how does your favorite SEAK Claus Winkler painting would look like?
Are you like the art of SEAK Claus Winkler, or can you afford the art of SEAK Claus Winkler?
SEAK Claus Winkler:
So how does your favorite SEAK Claus Winkler painting would look like?
Are you like the art of SEAK Claus Winkler, or can you afford the art of SEAK Claus Winkler?
If you have a wish, and idea, an direction, what you want see, what artist SEAK Claus Winkler, should/ could explore.
Use this photos, and scribble sketching something with your phones drawing/ paint program.
Send it to SEAK Claus Winkker via email (this blog).
His backoffice/ Trustee/ Gallerina/ homegirl Silvia will forward it to him.
From a societal meta theme topic, SEAK Claus Winkler is looking although for ways to increase and grow the birthrates among white people in the world.
Whites are with 6-8% a minority on the brink of extinction.
So how about using everything in ours means to make more white babies.
Thank you for your support.
SEAK Claus Winkler:SEAK Claus Winkler:
If you have a wish, and idea, an direction, what you want see, what artist SEAK Claus Winkler, should/ could explore.
Use this photos, and scribble sketching something with your phones drawing/ paint program.
Send it to SEAK Claus Winkker via email (this blog).
His backoffice/ Trustee/ Gallerina/ homegirl Silvia will forward it to him.
From a societal meta theme topic, SEAK Claus Winkler is looking although for ways to increase and grow the birthrates among white people in the world.
Whites are with 6-8% a minority on the brink of extinction.
So how about using everything in ours means to make more white babies.
Thank you for your support.
Like with everything.
Years ago a befriended collector who was a legal pimp ( The correct formal term here in Germany is “Wirtschafter” ) said to me on a few occasions, that I should paint liquid, wet, reflections on my paintings, on/ in certain parts.
Circa 14 years later iam following his advice, like you can see here in this art photo (Entwurf).
SEAK Claus Winkler: It’s a process. It’s in between. Your thoughts, your interpretations. Like with everything.
Years ago a befriended collector who was a legal pimp ( The correct formal term here in Germany is “Wirtschafter” ) said to me on a few occasions, that I should paint liquid, wet, reflections on my paintings, on/ in certain parts.
Circa 14 years later iam following his advice, like you can see here in this art photo (Entwurf).
I like this blurry, foggy, cloud, smoke, steam, foam like „S“ .
It came by surprise.
In way it was painting (digital, with my thumb, with phone paint program) this here like i was painting it with spraycans (spraypaint technique with super fatcaps, and soft caps).
SEAK Claus Winkler:
I like this blurry, foggy, cloud, smoke, steam, foam like „S“ .
It came by surprise.
In way it was painting (digital, with my thumb, with phone paint program) this here like i was painting it with spraycans (spraypaint technique with super fatcaps, and soft caps).
I like this child like, super simple, easy aesthetic.
Iam not even trying, or doing any complicated, sophisticated, technical fadings, color graduations from dark to light, trying to impress, etc.
This is by the a hybrid from an small „e“ and a large „ E „. Due the large, close size, it makes the viewer super small, and close to the „fictional paper“ this sketch like „e/E“ would appear? Or looking at it under a microscope?
SEAK Claus Winkler:
I like this child like, super simple, easy aesthetic.
Iam not even trying, or doing any complicated, sophisticated, technical fadings, color graduations from dark to light, trying to impress, etc.
This is by the a hybrid from an small „e“ and a large „ E „. Due the large, close size, it makes the viewer super small, and close to the „fictional paper“ this sketch like „e/E“ would appear? Or looking at it under a microscope?
What I question myself, with the exchange of the german population, and white people becoming the minority in Germany, where I will go?
In what direction should i steer today my artistic oeuvre?
Which painting strategy should i follow? In which white countries, can I emigrate, or establish a second home?
In which countries will i sell my paintings or secure my paintings? How will which country will develop demographically? I
I don’t care selling my art to super rich/ ultra wealthy from any skincolour, or ethnicity. White ( Christian European) would be the optimal of course. I love my race.
Living and working I would prefer in white countries or areas.
If we wouldn’t need to think like that , and be all cool and chill and stuff if the whites weren’t at the brink of extinction, and the mass invasion, orchestrated from certain third forces ( which I can’t mention for legal reasons, here in Germany due the absence of free speech/ the supremacy of those) wouldn’t happen.
At the other hand from the beginning of my painting career as a young boy (circa 6 years), the invasion of Europe, the occupation by usrael, the American reeducation, the leftists shitting in my/ our heads, the deepstate, the the female leftist anti male facism, the fear of what is happening now, 44 years later, is a major reason why I paint.
In and on different levels.
SEAK Claus Winkler:
What I question myself, with the exchange of the german population, and white people becoming the minority in Germany, where I will go?
In what direction should i steer today my artistic oeuvre?
Which painting strategy should i follow? In which white countries, can I emigrate, or establish a second home?
In which countries will i sell my paintings or secure my paintings? How will which country will develop demographically? I
I don’t care selling my art to super rich/ ultra wealthy from any skincolour, or ethnicity. White ( Christian European) would be the optimal of course. I love my race.
Living and working I would prefer in white countries or areas.
If we wouldn’t need to think like that , and be all cool and chill and stuff if the whites weren’t at the brink of extinction, and the mass invasion, orchestrated from certain third forces ( which I can’t mention for legal reasons, here in Germany due the absence of free speech/ the supremacy of those) wouldn’t happen.
At the other hand from the beginning of my painting career as a young boy (circa 6 years), the invasion of Europe, the occupation by usrael, the American reeducation, the leftists shitting in my/ our heads, the deepstate, the the female leftist anti male facism, the fear of what is happening now, 44 years later, is a major reason why I paint.
In and on different levels.
SEAK Claus Winkler: This is an „S“.
The artist signature, is here the central painting element.
The motive, is the message?
What does this tells you?
Where does this takes you?
(this image is an digital sketch/ idea study, painted pixel.)
SEAK Claus Winkler:
The artist signature, is here the central painting element.
The motive, is the message?
What does this tells you?
Where does this takes you?
(this image is an digital sketch/ idea study, painted pixel.)
This „a“ Looks like the silhouette from the current US President Donald J. Trump. ( I bought his business audio book „think big“ in the beginning of the 2000er years when it came out.
That it looks like a Trump, a little, in my current mood, vibe, perspective, is just my current perspective.
SEAK Claus Winkler:
This „a“ Looks like the silhouette from the current US President Donald J. Trump. ( I bought his business audio book „think big“ in the beginning of the 2000er years when it came out.
That it looks like a Trump, a little, in my current mood, vibe, perspective, is just my current perspective.
With painting sketch, or painting idea Studie, I was limiting myself on extra thick, easy, simple, basic essential like, almost child like drawing forms/ versions from my style. Reduced to the hmmm super simple.
SEAK Claus Winkler:
With painting sketch, or painting idea Studie, I was limiting myself on extra thick, easy, simple, basic essential like, almost child like drawing forms/ versions from my style. Reduced to the hmmm super simple.
SEAK Claus Winkler: A Square, dice like from a small SEAK „a“.I can see this a a painting in large in a museum. I can see the room where my paintings are hanging.
Another digital crayon „K“, simulating large/ medium format oil, Acrylics paintings.
Relaxing to see my work, in such simplistic, easy way. Addictive. Iam wanting to see further simple versions from my style.
Is it because this is the letter „K“?
SEAK Claus Winkler:
Another digital crayon „K“, simulating large/ medium format oil, Acrylics paintings.
Relaxing to see my work, in such simplistic, easy way. Addictive. Iam wanting to see further simple versions from my style.
Is it because this is the letter „K“?
This is a digital over painting of an photo with in my studio gallery from a painting.
With sketches, like this i can play, text, experiment with how an idea can, and would look alike with in reality.
I love the raw,rough, broad, manly energy the fictive digital painting or drawing has. It’s a close up, and side view from a typical „S“.
It’s is basically a large sketch.
In later stages I would „normally“ fill up this construction skeleton alike lines with colors.
Usual iam/ would paint from dark to light.
Iam working like that since circa 1994. painting like the old masters. In the 1980s I painted/ drawed often first the medium colors.
Funny, that I have an childhood drawing from 1979 where I painted it, like I painted today.
I you like what you see, or is intrigued, and want as an art/ style connoisseur/ Kenner/ art investor, art historian, look for my sketches, drawings, black books sketches, scribble, works on paper, style studies etc.
I uploaded tons of material over the decades for you to enjoy, dig in and get inspired.
SEAK Claus Winkler:
This is a digital over painting of an photo with in my studio gallery from a painting.
With sketches, like this i can play, text, experiment with how an idea can, and would look alike with in reality.
I love the raw,rough, broad, manly energy the fictive digital painting or drawing has.
It’s a close up, and side view from a typical „S“.
It’s is basically a large sketch.
In later stages I would „normally“ fill up this construction skeleton alike lines with colors.
Usual iam/ would paint from dark to light. Iam working like that since circa 1994. painting like the old masters.
In the 1980s I painted/ drawed often first the medium colors.
Funny, that I have an childhood drawing from 1979 where I painted it, like I painted today
I you like what you see, or is intrigued, and want as an art/ style connoisseur/ Kenner/ art investor, art historian, look for my sketches, drawings, black books sketches, scribble, works on paper, style studies etc.
I uploaded tons of material over the decades for you to enjoy, dig in and get inspired.
This rough, raw, simple “K”, looks like the famous cologne cathedral (Kölner Dom), from the sight when you coming from the rhine side, passing by the museum Ludwig.
The German painter SEAK Claus Winkler was born 1974 in Köln.
SEAK Claus Winkler:
This rough, raw, simple “K”, looks like the famous cologne cathedral (Kölner Dom), from the sight when you coming from the rhine side, passing by the museum Ludwig.
The German painter SEAK Claus Winkler was born 1974 in Köln.
It’s the first two letters from my name, „CL”.
What have you thought? 😉
SEAK Claus Winkler:
It’s the first two letters from my name, „CL”.
What have you thought? 😉
Another small „a“, this time in round.
A small „a“ with a round shaped body.
The artviewer can just see the upper left ish part of the small „a“. T
The hole from the „a“ is sometwhere in the lower or lower right part, outside of the canvas part.
SEAK Claus Winkler:
Another small „a“, this time in round.
A small „a“ with a round shaped body.
The artviewer can just see the upper left ish part of the small „a“.
he hole from the „a“ is sometwhere in the lower or lower right part, outside of the canvas part.
The central element, the „a“, is in contrast to the light footed, light swinging, easy thin handwritten SEAK Claus Winkler artulistbsignature in the lower right, in small.
SEAK Claus Winkler: I like here the contrast between the rough, non perfect, raw, large element. An small „a“.
The central element, the „a“, is in contrast to the light footed, light swinging, easy thin handwritten SEAK Claus Winkler artulistbsignature in the lower right, in small.
Is this a rune, the sig/ Sowelo rune, and or a an electricity flash, energy warning, or an „S”, or new symbol?
I have on many levels in my “private” history, my artist artist history/ oeuvre and my family history, connections with this symbol and variation enterpretations.
SEAK Claus Winkler:
Is this a rune, the sig/ Sowelo rune, and or a an electricity flash, energy warning, or an „S”, or new symbol?
I have on many levels in my “private” history, my artist artist history/ oeuvre and my family history, connections with this symbol and variation enterpretations.
SEAK Claus Winkler: “Cl” or “ 14 words” or “ Wfp”. Somthing like that. If you hold the cellphone to the right, you can see the the “ C L “ initials. May you make many white babies.
Iam window shopping my art. In a way. Thats what these digital idea studies, pixel drawings are.
They are simulating, emulating future large offline real analog paintings.
The white parts I would do in oil.
I guess I would, or will do everything in oil. Or I would do it with spraycans.
I did similar sketches like this already in the late 1990s.
The layout, view, composition has a iam witnessing a large spaceship in a movie, or a large ship, or plane, of machine.
Maybe I am hooked at a moment in childhood swimming around the sailing boot, when being with my family.
Adoring the large objects, the boots, forms.
Or my impression, and awe when seeing moving like stars wars with the large space ships.
Maybe it’s the awe from being born?
Who knows what the subconscious remembers, and is wanting to express?
That large blue thing, is the lower part from an „S“.
The ellipse round form on the left, is the lower left letter ending from the „S“.
It’s called a serif.
The photo is taken circa around 2012-2014 ish, here in my large studio gallery room, in my cologne studio, in germany.
SEAK Claus Winkler:
Iam window shopping my art. In a way. Thats what these digital idea studies, pixel drawings are.
They are simulating, emulating future large offline real analog paintings.
The white parts I would do in oil.
I guess I would, or will do everything in oil. Or I would do it with spraycans.
I did similar sketches like this already in the late 1990s.
The layout, view, composition has a iam witnessing a large spaceship in a movie, or a large ship, or plane, of machine.
Maybe I am hooked at a moment in childhood swimming around the sailing boot, when being with my family.
Adoring the large objects, the boots, forms.
Or my impression, and awe when seeing moving like stars wars with the large space ships.
Maybe it’s the awe from being born?
Who knows what the subconscious remembers, and is wanting to express?
That large blue thing, is the lower part from an „S“.
The ellipse round form on the left, is the lower left letter ending from the „S“.
It’s called a serif.
The photo is taken circa around 2012-2014 ish, here in my large studio gallery room, in my cologne studio, in germany.
What I like with this super simple, raw, everything painted with one color aesthetic is, that it has a museum exhibition style aesthetic.
Maybe that’s learned behavior?
From seeing, knowing the contemporary art world, with all this technical simple CIA astro turf founded art. ( Google it. Modern art, is a cia psyop. ).
Museums in the western world (American empire) filled up with large cia investment art.
All this reconditioned and reeducated our aesthetical taste for more then 70 years.
SEAK Claus Winkler:
What I like with this super simple, raw, everything painted with one color aesthetic is, that it has a museum exhibition style aesthetic.
Maybe that’s learned behavior?
From seeing, knowing the contemporary art world, with all this technical simple CIA astro turf founded art. ( Google it. Modern art, is a cia psyop. ).
Museums in the western world (American empire) filled up with large cia investment art.
All this reconditioned and reeducated our aesthetical taste for more then 70 years.
What does this painting or large scale drawing ist making with you?
Name one thing you like about artist SEAK Claus Winkler?
SEAK Claus Winkler: this is a “K”.
What does this painting or large scale drawing ist making with you?
Name one thing you like about artist SEAK Claus Winkler?
I have no idea what I do.
Is that a good thing, when you are an artist?
It doesn’t matter , as long as I paint, and grow.
Iam growing as an artist.
It’s not that I like what i do.
That is the irony.
I will soon start doing faces and portraits. Every great painter, every old master did although self portraits.
So I have lots fun, plaful, interesting challenges.
SEAK Claus Winkler:
I have no idea what I do. Is that a good thing, when you are an artist?
It doesn’t matter , as long as I paint, and grow. Iam growing as an artist.
It’s not that I like what i do.
That is the irony.
I will soon start doing faces and portraits. Every great painter, every old master did although self portraits.
So I have lots fun, playful, interesting challenges.
Maybe iam painting these digital paintings cause its lazyiest to do.
More comfortable lay sitting relaxed on my studio couch, instead of painting with the brush or spraypaint in real life.
Iam learning here although a lot.
Iam using these digital drawings & sketches as a training, progression work tool.
Iam focusing on painting and drawing in a way, with techniques, ideas, etc, which are more efficient to experiment with them digital.
SEAK Claus Winkler: “ Seak” painted digital, with fingers, and the draw/ paint program from the smartphone.
Maybe iam painting these digital paintings cause its lazyiest to do.
More comfortable lay sitting relaxed on my studio couch, instead of painting with the brush or spraypaint in real life.
Iam learning here although a lot.
Iam using these digital drawings & sketches as a training, progression work tool.
Iam focusing on painting and drawing in a way, with techniques, ideas, etc, which are more efficient to experiment with them digital.
Iam in anticipation painting like this too.
Painting without expectations, responsibility, complications, concentration, and focus.
Just letting the mind flow.
A direct connection to the brain, to unconscious, to everything in my mind.
SEAK Claus Winkler:
Iam in anticipation painting like this too.
Painting without expectations, responsibility, complications, concentration, and focus.
Just letting the mind flow.
A direct connection to the brain, to unconscious, to everything in my mind.
This version or stage of the painting looks although good. When to stop painting?
When is a painting finished?
SEAK Claus Winkler:
This version or stage of the painting looks although good. When to stop painting?
When is a painting finished?
It has an naturalistic representational photorealistic vibe note to it. Although easy.
Hmm different stages from a painting, from to explore in this or that direction?
SEAK Claus Winkler: I like this aesthetic too.
It has an naturalistic representational photorealistic vibe note to it. Although easy.
Hmm different stages from a painting, from to explore in this or that direction?