Könnte Ich hier erfolgreich entdecken, wie der EITGENÖSSISCHE Künstler SEAK gemeinsam mit den Neueignern seiner gruppierten Schlüsselwerke, für die thematische Formulierung von Skizzen neuer gesellschaftlicher und persönlicher Fragen, um Antworten ringt?
Going in different painting sujets & artistic directions.
This painting will grow in to a masterplan style collection.
Iam painting it with my thumb on my phone, with the standard phone drawing-programm.
Iam painting offline real world paintings like that with in this particular layout like 2000, when Iam came back from a painting invation to Hongkong.
The way paint has many inspiration sources.
SEAK Claus Winkler: This finger painted small „a“ has a 1970s flair and attire.
SEAK Claus Winkler: This a Small „a“. Painted digital
SEAK Claus Winkler:
I like the brachial, archaic, functional, practical, masculine, character this „K“ sketch has.
SEAK Claus Winkler: This a „K“.
I usual start with the lower left bar, when sketching, painting it.
I will practice starting painting it from different sides.
Seeing how it will inflict the personality and character of the form, the letter, the motive.
SEAK Claus Winkler:
This is a hybrid „e/E“.
I painted it like a small „e“ and a Capital “E“, at the same time.
SEAK Claus Winkler: This an „S“.
Iam inspired by airplanes (History fan/ freak/ obsessed), and spaceships, like for example „R-Type“.
I had an amiga 500 computer in the late 1980s
SEAK Claus Winkler: playing with cellphone drawing paint function.
Mixing my typical style, the infamous SEAK style with going full abstract.
I painted the lower part without watching, to get new different results. Playing with painting strategies.
SEAK Claus Winkler:
This digital pixel painting emulates being a real physical analog in real life painting.
i just learned something about my art.
That my art is reflection, and it connects people with/to there bed.
In important factor which people overlook, is although the color.
Who much they steer the moment, the perspective, the overall situation.
People, although trained and experienced professionals underestimate the power and might of the colors, there nuances, shades, and tones.
Of course there is a then the form.
How is the form of the colors used. That is although impoartant.
And then there is a the framing, in a priming, or pre priming way.
how to see everything. with framing i don’t mean how the painting, or the colors is/are framed physical, like with a wooden frame.
Framing in terms how the viewer, the recipient of the color sees everything with what perspective, because he has certain informations.
Like this, this is an important, or expensive painting.
Or this a one of his (the artists ) earlier works.
Or this painting is rare, the artist is this or that.
Iam keeping it in an art context here.
What I reconned this morning, just a few minutes ago, before writing this art text somthing.
That the light bright red looking square form has the effect of a frame.
How to see the world, the last things which happened yesterday before i slept in and which effected my dreams and sleep.
The for a frame unusual bright red color, steered the context.
A „frame“ like form with in a painting which already has a frame, a wooden frame.
My thoughts where about how different people see a situation with different perspectives, and how strong opinions a formed and framed.
Which persons or groups perspectives path is to follow?
Which perspective valid?
How the effect from my name is steering everything.
The name, is usual the dead angle, the blindpoint which is the playbook, or which will explain what is happening.
SEAK Claus Winkler: Iam most known for my typical mech organic 3d styles. I’m although playing, working with in other painting directions, with different painting strategy’s.
Like this digital work in progress abstract painting.
Getting my mind free.
SEAK Claus Winkler:
Although digital painting is a work in progress piece.
Painting, anything except my typical usual classic style, parallel.
SEAK Claus Winkler: Hold your horses, that’s still work in progress
SEAK Claus Winkler:
The thing is at any time can I paint a painting from any time in this or that, in a infinity of other directions.
SEAK Claus Winkler: painting all day.
I will do selfpotraits from me too, and from others portraits too.
Playing, trying, doing all the the genres, sujets, and directions.
SEAK Claus Winkler: „K“ juicy super raw
SEAK Claus Winkler: „K“. I like this too.
SEAK Claus Winkler: playing with abstraction
SEAK Claus Winkler: This digital painting (Gemälde/ Kunstwerk) is inspired what I learned yesterday while listening to the Joe Rogan interview with Mike Benz.
Tough pill to swallow. The reality here in germany. Since when? 1945, in waves temporary, or just the last 15 years?