Artist, Künstler SEAK Claus Winkler: Painting paper painting which procreated within the viewer the ground feeling happiness. The challenge to keep it colorful without going to much a into a rainbowy colour setting. Something people with a heterosexual red pill view approach/ at life can although identify with. While during the painting process reflecting the own personality shadow integration/ bonding ( Adult child/ inner child ), with a hont law of attraction ( the painters color/ symbols/ forms/ element knowledge ). Aesthics, layers, how will this double sided paper painting will develop? Interesting how the just component that there is a 2020 changes the identity reflection/ presencework while painting gives a fresh challenging nuance. Choosing colors from how I would like to feel, instead of how@I feel/ which feeling we are used to. How much identity illusion defragmentation = lost of control later during the process of watching the painting feeling happy is good for the paintings artviewer/ artlover/ artowner? The original art concept was creating a piece which generate quality good vibes, positive emotions. The other perspective would be what looks good? SEAK started this side of the painting between Christmas / Sylvester 2019, the black and white Masterplan Style collection side ( back side ), in later auttum 2019. How will this painting progress?
‘ Im Arbeitszimmer ‘ ( Studio/ Atelier View/ Small painting room in the the painter SEAK Claus Winkler’s Studio/ Gallery / Workspace House/ Home/ Cologne / suburbs/ January 2020 ) The German painter is living and working in the house his grandparents build after being ww2 refugees from Eastprussia / Sibirian pow captivity, being relocated via Schleswig Holstein to the Rhineland. His grandfather being a teacher for mathematics, physics, sports, etc.
Ein Bild was zu mir passt Artist, Künstler SEAK Claus Winkler
‘ Detail from a painting I did around 2011. My personal in the top 3 master pieces which I got here at my studio archives. This canvases embodies the core style elements I painted in Asia, Down under, the Us, the eastern hemisphere & Europe. I could go on with storytelling filling evenings on conversations about this piece. The detail you see here is the Alphabets Queen Letter the ‘ S ‘. A friend told me years ago the piece in full view says ‘ Love ( Liebe ‘ The German word for Love ‘ ) I guess woman would love this interpretation, due the works manly powerfull dark energy. ‘ Artist SEAK Claus Winkler
Maybe is should integrate things likes codes for ‘ prep/ luxe/ ‘ etc. The prep trigger is already so mainstream used in with in brand building for women that it might decamouflage what people think too much. The other thing is maybe it’s good I’ve the painting looks like a rainbow flag. It’s like a stop sign for everyone to turn back going to / searching the company of attractive females/ the wife/ spouse/ daughters which controlling them. While everyone els, who wants same sex physical interactions, see’s/ feels the painting being signal for going further. This side of the painting is in the beginning. what makes the painting look lgbtq/ non binary is the right color part on the frame. Maybe it represents/ works as catalystor/ cleaning tool. At the left part is a natural green. Hm….
Artist, Künstler SEAK Claus Winkler: Let’s c how I can turn this painting from the rainbow colorish ambient, further in to a visual heterosexual narrative. Maybe my subconscious honesty saw, that everyone is ‘ gay ‘ from behind. Maybe my attemp to direct the colors away from the rainbow flag appeal will be transported with in the work later. Rowing back from bridge, aka thought too far. Like when being in cultivating a mental structure to limit the self, when people are trying seduce one, and you set the focus at different direction to save oneself from these attemps. The mainside at the moment a warm soulfull grey into a grey ocre. Maybe I use archetype perspectives for the process. Like, being a Redpill man, target biological/ natural female 8,5s/ 9s/ 10s ( face/ body), on the bodylanguage/ reaction level, a top when it comes to reacting to everyday same sex triggers which are happening. Being too busy with life purpose, attractive women ( mentioned aboth/ legal age 18 to 25/ 28 / non narc / non for the streets ), that onself would do/ having bunga bunga with people from@the same biological sex/ gender, ts/ traps/ bttms, etc etc. Maybe that would be the name of the painting, ‘ blue elephant ‘. Lots of words.
Maybe is should integrate things likes codes for ‘ prep/ luxe/ ‘ etc. The prep trigger is already so mainstream used in with in brand building for women that it might decamouflage what people think too much. The other thing is maybe it’s good I’ve the painting looks like a rainbow flag. It’s like a stop sign for everyone to turn back going to / searching the company of attractive females/ the wife/ spouse/ daughters which controlling them. While everyone els, who wants same sex physical interactions, see’s/ feels the painting being signal for going further. This side of the painting is in the beginning. what makes the painting look lgbtq/ non binary is the right color part on the frame. Maybe it represents/ works as catalystor/ cleaning tool. At the left part is a natural green. Hm….
Artist, Künstler SEAK Claus Winkler: That is the curse/ blessing painting within small sizes. The painting takes a lot of time, and energy aka effort. All the details. So many direction I would love painting, but also so many works to continue adding details. What you own, owns you very fast. The burden performance has. The reason why I did so many small works is, that my studio house is cut like 2 family house. 1950s social housing program. So the size of the paintings is limited, to a degree. I will work in future although with unframed canvases. That is will make large scales possible with ease. I used the right room conditions to straight out my lack of concentration, the ability/ Unlust to balance my energy doing details. With the perse oe Iam having to day, I would say ie as easy overwhelmed in the past. My thought was although, painting which is athough good without the marketing/ sales/ suggested social proof thru gallerists/ dealers/ patrons/ master claquers, has to stand for it self with quality, and people having less space at there walls.
Claus Winkler: All paintings doublesight painted. Left, canvas over the wood plate ( part of my grandparents living room cabin ( Schrank ). My grandparents had chocolate stashed there ( not real interesting for me when I was I child/ kid. my Grandmother was Baking delicious cakes, slesian Poppyseed raisins cakes, fruit cakes, nut cakes, waffles, plus main dish, with dessert, salad, etc. back in Her youth she had a farm with 8 Cows/ 8 Trakhener Horses, chickens, dogs, cats, etc. She was during the 1920s the directors studentpromoted assistant for Household Housewife skillz/ Housewife duties School in the District City Schlossberg ( Eastprussia).
That’s why I wasn’t that crazy about the chocolate there. I used the long part of the cabin as a canvas frame.
The right canvas is a painting from 2003 – 2006.
The painting in the middle from 2010 – 2016, although wooden plate, with canvas.
Artist, Künstler SEAK
Claus Winkler: All paintings doublesight painted. Left, canvas over the wood plate ( part of my grandparents living room cabin ( Schrank ). My grandparents had chocolate stashed there ( not real interesting for me when I was I child/ kid. my Grandmother was Baking delicious cakes, slesian Poppyseed raisins cakes, fruit cakes, nut cakes, waffles, plus main dish, with dessert, salad, etc. back in Her youth she had a farm with 8 Cows/ 8 Trakhener Horses, chickens, dogs, cats, etc. She was during the 1920s the directors studentpromoted assistant for Household Housewife skillz/ Housewife duties School in the District City Schlossberg ( Eastprussia).
That’s why I wasn’t that crazy about the chocolate there. I used the long part of the cabin as a canvas frame.
The right canvas is a painting from 2003 – 2006.
The painting in the middle from 2010 – 2016, although wooden plate, with canvas.
I move paintings all work in progress due they look already they are finished thru my house. Painting them from all sides. Started allthough painting the backsides around 2010. step by step, to a level where it is hard to say which site looks better/ became the higher effort. Moving the paintings with in the different rooms is necessary. Different sizes, relative small 2 / 3 family house 1950s cut social housing programs rooms. Some works process need special needs. Drying process with oil / spraycan = smell, drying laying, how store the the maximum paintings with in rooms while having a decent worth living essential living situation. The constant rearranging of pieces although gives a constant inspiration/ interaction with the art. It’s although helps sorting the brain.
It includes the process of collecting. Contiouing on a painting which thought 20 years already finished helps with inner bonding/ reflecting/ nostalgia, although when it is just the paintings backside. Though that is maybe rare. I paint the paintings with in a rotation, 1ish painting/ work technique/ color/ colordirection a step a time, with all paintings/ a selection. So paintings which I didn’t worked with with in the last years are rare. Each rotation/ carousel work phase, I have different knowledge about Colors, the psychological effects of forms, composition, my own rules/ aesthetics/ codes, I work with.
Artist, Künstler SEAK Claus Winkler: Once again, Describing my process. ( I guess very day/ moment/ picture/ technique phase/ period/ etc a different perspective/ description.
I move paintings all work in progress due they look already they are finished thru my house. Painting them from all sides. Started allthough painting the backsides around 2010. step by step, to a level where it is hard to say which site looks better/ became the higher effort. Moving the paintings with in the different rooms is necessary. Different sizes, relative small 2 / 3 family house 1950s cut social housing programs rooms. Some works process need special needs. Drying process with oil / spraycan = smell, drying laying, how store the the maximum paintings with in rooms while having a decent worth living essential living situation. The constant rearranging of pieces although gives a constant inspiration/ interaction with the art. It’s although helps sorting the brain.
It includes the process of collecting. Contiouing on a painting which thought 20 years already finished helps with inner bonding/ reflecting/ nostalgia, although when it is just the paintings backside. Though that is maybe rare. I paint the paintings with in a rotation, 1ish painting/ work technique/ color/ colordirection a step a time, with all paintings/ a selection. So paintings which I didn’t worked with with in the last years are rare. Each rotation/ carousel work phase, I have different knowledge about Colors, the psychological effects of forms, composition, my own rules/ aesthetics/ codes, I work with.
My ancestors from Lithunia/ my ancestors from hunsrück, from Salzburg, my ancestors from Ruhr area, my English ( soldier/ warrior) ancestors. The owners from colognes public spa beach bath at rhine river, the director of powerplant Königsberg, the Hatmaker Woman, going to Worldexhibition to Paris, etc, pictures/ moods / thoughts/
‚ priming, which bring me with in a well-being/ feelgood vibe which is connected physical with, the haptic look color, the texture of dryed paint/ fresh paint, acryl, oil, wood frames, plates, buckets, brush’s. To create a workflow I always listening audiobooks ( fiction/ non fiction), listening youtube films ( useful/ selfdevelopment/ redpill/ pua/ social dynamics/ Psychologie/ Communication ), there was although a time where i was just listening to podcasts. Circa 2 years I was just listening, except audible audiobooks, to wdr4 ( old people conservative ) public state radio ( it was the farest away from the mediocrity/ bandwagon followers/ non money having/ pseudo hype/ societal noises). When painting with brush I different person/ Artist/ etc like when painting with fingers/ a different brush/ a spraycan/ a pencil/ a piece of blanket, with sticks.
Artist, Künstler SEAK Claus Winkler: My house is my micro/ macro cosmos. I painted in most rooms already with in the last circa 25 years,spend although my first life years/ the pressures weekends visiting my grandparents here. For me, woodenfloors, the Boeheme Orginal state/ condition interior flavor with the nature/ sorrounding gives me starting point to connect with narratives like rural village life, old towns, historic buildings, family/ genealogy history, the farm my family had in Eastprussia, my great grandfather being a 12ender ( 12 years/ infantry/ imperial army pre ww1/
My ancestors from Lithunia/ my ancestors from hunsrück, from Salzburg, my ancestors from Ruhr area, my English ( soldier/ warrior) ancestors. The owners from colognes public spa beach bath at rhine river, the director of powerplant Königsberg, the Hatmaker Woman, going to Worldexhibition to Paris, etc, pictures/ moods / thoughts/
‚ priming, which bring me with in a well-being/ feelgood vibe which is connected physical with, the haptic look color, the texture of dryed paint/ fresh paint, acryl, oil, wood frames, plates, buckets, brush’s. To create a workflow I always listening audiobooks ( fiction/ non fiction), listening youtube films ( useful/ selfdevelopment/ redpill/ pua/ social dynamics/ Psychologie/ Communication ), there was although a time where i was just listening to podcasts. Circa 2 years I was just listening, except audible audiobooks, to wdr4 ( old people conservative ) public state radio ( it was the farest away from the mediocrity/ bandwagon followers/ non money having/ pseudo hype/ societal noises). When painting with brush I different person/ Artist/ etc like when painting with fingers/ a different brush/ a spraycan/ a pencil/ a piece of blanket, with sticks.
Artist, Künstler SEAK Claus Winkler:
Iam mental travelling while painting with in my house. The atmosphere every room, every work Situation have is always different. The painting s) changes with in work process, the way i arrange the paintings, the different light from lamps/ weather. The sound what i hear, different loaction/ Setting in time where the audiobooks storytelling in is playing, different vibe from the selfdevelopemnt content, due although different reflection while painting. I feel/ deduct a special connection between my perception from the world, the word ‚ house ‚ ( German: ‚ Haus ‚( same pronunciation like with in the English language ), as well my name ‚ Claus ‚ as well as ‚ the German word ‚ aus ‚. The direction translation for the word ‚ aus ‚ would be: of, off, from, out of. While parallel triggering the the German letter for ‚ W ‚ which is spoken like ‚ Weh ‚ Pain/ light pain/ light pain anyway, while in with in the English language its communicating, I make you grow/ I double you/ I make your grander/ two woman, two times thirst, or the We = Wir = community. Working with in my house I off from all the emotions/ unreflected emotions/ all the overwhelming impressions. I do calm down, I reflect, let go, while work flowing with my paintings.
Painting, walking them my houses rooms is like being a giant, the things around me are serving/ influencing my thoughts/ reflections. Due I had compared by todays standards simple, less detailed, less visual out formulated play toys, i had to use the imagination. I think this ability helps me with the help of a audiobook get into my joyful zone, for work, which is like playing. Maybe i can paint/ transfer feelings/ music/ story’s/ a sound, in to a painting/ a picture.