Künstler SEAK Claus Winkler’s Kunst: In meiner Kunst spiegele & erforsche Ich alle menschlichen Tiefen. Auf der Unbewussten & Impliziten Weise aktiviere, spiegele, und bejahe Ich, mache Ich denn Weg frei für alle Lebenstile, legale wie illegale Konsum muster. Egal ob Binär Hetero Normative, Lgbtqia+, Bdsm, Kink, Vanilla, Vengeful 4. Welle feminismus zu betaisieren von Männern, Mensright movement, Nuclear White Pickett Fence Family, Patchwork Family, Flr, klassisches Patriarchat, You Go Go Girl Hot Girl Summer Hook up Culture, Serielle Monogamie, Moderne/ Tradionelle Frauen, Beta Provider/ Alphas, Redpill praxeology, Mansophere, Mgtow, Leben mit der Klarheit das Liebe nur Hebelkraft ist/ Menschen welche an Liebe glauben, Gesunde/ Ungesunde Lebensweisen, Beta Soja Links Liberale/ Alpha Rechts pro Wehrpflicht Nationale, Naive/ Realisten, Diskrete Angehörige der Geheimen Gesellschaft von Leuten welche ohne zu bewerten und darüber zu reden Sex haben, Etc. Meine Kunst gibt allen Lebenstilen Gefühle von familiärer Zugehörigkeit. Weißt auf der Unbewussten Ebene den Weg, gibt Lösungen vor. Meine Kunst bejaht alle integrierten und nicht integrierten Schatten in den toten Winkeln der Psyche. Meine Kunst setzt das Ego, Gesellschaftliche Taboos,

die intrinische Scham, frei, In die Freiheit. Meine Kunst macht die versteckten und offensichtlichen Trigger, und Bedeutungen welche in jedem Namen von Betrachtern meiner Kunst stecken frei, und macht sie zu deren Vorteil nutzbar, und verstärkt die Intuition meiner Kunstsammler. Meine Name, mit seinen Wirkungen, mit meiner Kunst gibt den Kunst konsumenten auf der unbewussten Ebene Erfolg. Meine Kunst macht das die Betrachter, die Kunstmäzen/ Kunst Auftraggeber/ Sammler meiner Kunst, zu ihrem Vorteil auf der Unbewussten Ebene handeln und akumulieren. Meine Kunst überbrückt die menschlichen Hürden, und schafft freiraum für menschliches freundlich locker familiäres miteinander.

Everything in the picture, yes you guessed right, work in progress, all paintings backsides. The two long paintings are showing both a ‚ Seak ‚ Style. My inspirations are my natural masculine sense for aesthetics. Quoting Eminem ( Slim Shady) , which hospitality I had the honor to enjoy when he was performing in germany in the 2000er years, would call it ‚ rap shadow ‚. My rap shadow is that Iam on concious/ unconcious level/ frequency suggesting/ promoting/ proactively inspiring people behaving borderless flirtatious non monogamous promiscuous. Call it cuck-oldery, hot wife-ing, swinging, hypergamy, cxxk carousel, hookup culture, thotery, secret society of having sex, high body counts, dorfmatratzen, a bonobo like social order, being open minded to everybody, etc, etc. Although in a non physical way, regarding being open minded to people who aren’t good for oneself. my name/ energy is, just being open for people. Noooo, I don’t have time. Iam busy painting the work in progress paintings with in my rotation. I guess my work is for men who should have a higher bodycounts, vetting a higher number of women, and or being a little bit tougher, ‚ less nice guy ‚, masculiner with there woman/ women. ( Yes, 2 consenting adults). It’s the words, the energy with in my name, in case you don’t see that in my paintings. Artist, Künstler SEAK Claus Winkler

Details. Painting the details. Iam binging this part of work in progress rotation. Started working this paintings backside, wooden plate, with canvas stretched, around 2012ish. The ‚ main side ‚ a oil mix Media painting from 2010 to 2012 painted, including a oil firniss clear coat. A why how I paint is, to make painting which are although for regular non art people clear visible, the artist painted the painting himself. In contemporary Art, or how ever you wanna call it, most of the painting are ‚ produced ‚ by a large amount of studio assistants. The artist is just doing a show, pretending that he/ or her painted all the works by him/ herself. I decided being always short in resources, fighting a peasants war, Vietcong style, werwolf, guerillero, drunken master, etc style, making my disadvantage to my advantage. Like no large painting rooms, no resources paying/ investing other painting artists. I decided creating paintings where everyone sees, that the artist painted it himself. Painted high complex detail rich art. It forced me to overcome my lack of being able concentrating myself. It forced me a away from being in the ego, unpresent, feeling a upper drug infueled like rush from seeing, feeling the colors, to learning to feel the colors effects with in a civil, cultured way. It challenged me to overcome the instant gratification, learning patience, having the paintings growing over a decade long, process. Learning new painting techniques outside my comfortzone, being a underdog, being humbled. Focusing on myself. The good thing is that the paintings become, are natural rare. Artist, Künstler SEAK Claus Winkler

Painting the details, the love for mechanical, functional, constructed, things i loved already in my childhood. When i was watching construction places, little models with in toys stores, the tanks & vehicles on packaging in the toy stores. What I saw in books, when with visiting museums, or playing with my toys, matchbox cars, playmobil/ lego Although with the computer games ( amiga 500), a few years. A summer in Mallorca, watching how people where playing 1942/1943 on the arcade Automat with in the hotel. Always admired the technical aesthetic, the used look, the weathering, with models, with in movies. I although loved my used up matchbox cars. I guess the forms, the look do give structure, being connected, steering my thought process, from reason to a reason, having functional thoughts. A form of being lazy, catching what I should think from from the forms, colours, aesthetic which surround me. What was there first, my thoughts, or the form structures which showing me what I should think? Artist, Künstler SEAK Claus Winkler

Blue hour, painting lines, up detailing this painting. It’s the backside of a painting i painted in 1998. The side visible here, is from 2013 till today, work in progress. When finished, this will be johannes Vermeer milkmaid style detailed. Iam 48 years old know. Painting in rotation my whole canvas/ paper/ plates oeuvre, painting 6 days a week 12 hours everyday, the painting will be finished in 10 maybe 20 years. Maybe never, maybe when some super wealthy individual spoils me with money. Interesting thought. Money make happy, when feeling I should have painted longer? I guess will just start any further paintings, when they are large paintings. Just canvas. In the mean time, I will paint forever the paintings with in my studio rotation. Like with in a fairy tale from the brothers grimm, cursed blessed for all times painting sitting/ standing his canvases and papers. Just being interrupted for eating, working out, decompression with reading a book, or watching a movie/ series. No life, no nothing. Just living Groundhog Day painting everyday. What you own, quickly owns you. Artist, Künstler SEAK Claus Winkler

“ the thing which looks like a exclamation mark spaceship Grenadier unit symbol bomb is actually my small ‘ a ‘. The brown, line sprayed thing on the upper left, is a small ‘ e ‘ which is although a large ‘ E ‘, the other brown line thing is a ‚ S ‚. On the upper part, on the second behind canvas a few ‘ S ‘ looking down.
All other forms on the first canvas are ‘ a ‘. Might will ad a further layer with other letters/ forms for being eyecatchers. The paintings are backsides from paintings I did paint in the 2000er years, late 1990s. The forms are from my typical wall paintings I did paint a lot here in germany, and all around the world. It’s is never enough. Would love painting walls again. Though painting on canvas/ paper makes sense. „ Artist, Künstler SEAK Claus Winkler

My art anchors people on the word ‚ n ‚ the letter ‚ n ‚, and then makes/ gets the person with in sight get all the attention, validation, sexual attention, choice.

‚ E towers ‚ from 2002, exhibited in Hamburg at the Urban Discipline exhibition, at the Dokumenta in Kassel, in Bavaria, in Milano italy, at the Kunstverein 68elf, etc. German artist SEAK Claus Winkler works the paintings backside. Photos from today. The artist started upgrading all his paintings which he had in his possession from 2010 on. The paintings 2002 side is featured with in several magazines, and artbooks during the years. It shows like the title suggests the artists small ‚ e ‚ with in his classical style. The paintings backsides work process will take a little time till it is ready, due the fact the painting is with other paintings with in a rotation.

Paintings backside, started circa 2013, work in progess till aquired by a/ some art investor. Spraycan, acrylics, dispersions ( out door roller paint), photo 2022, Artist, Künstler SEAK Claus Winkler

Close up, paintings backside, showing little high complex painted ‚ Seak ‚ pieces. Artist, Künstler SEAK Claus Winkler

Although a well travelled/ well exhibited painting, which has a work in progress backside since circa 2013. the paintings mainside is from 2000. it’s Shows the backside the artist name stylized painted. Today the artist did paint several small brushwork lines, on the paintings backside. The backside will grow with in an abstract realism nuance & 3d form complex detail rich painting.

What do you see? Canvas, spraypaint, marker, dispersions paint, spray technique, Buntlack, oil ( on the other side of the painting), Artist, Künstler SEAK Claus Winkler

My art punishes my artowners, when they ask women for there opinions too much with being gaslighted & doublebinded. My art is blessing my artowners when they treat the women like the oldest child in the family household . My art gives people soo much situational confidence, like the fake artificial confidence Cocaine gives. Women being highly aware which visual, in my case the art, supports there power, there sexual strategy (contrary to the male strategy). The artowner asking there women for at advice brings them on ot a unreflected ego rush, where they self destruct themselfs, aswell as the asking artowner. Like a jealousy person masking lurking like a friend, giving bad advice, to not wanting to see you prosper. But! The same women can due my art can be although the good comrad, loyal buddy,

wingmen, supportive donkey workhorse mule. Just because she is with in a other situation, it’s is not in business, strategy. For the pickupart (pua), redpilled, psychology aware artwatcher/ artinvestor. This could although be compliance test ( slang: shit test). I guess all this behavior patterns, are embedded in the commands, meanings, triggers with in my name. Women: Iam feeling like do your thing, stop asking me things. I interpretate your interest in doing somehting with me as beta weakness. Do it yourself. Iam using sentences with with words like ‘ not ‘, ‘ don’t , etc, to give you at least a semi passive agressive hint thru the flowers of do it, stop asking me. While although wanting your attention. My Mum always said in affluent couples, each partner likes doing there own thing. I guess that is although reflect with in my name, and so in my paintings. The artowner asking the women gives the women too much validation. When she stops chasing your validation , she….?

Work in progress, the paintings (canvas ) frontside is from 2003 ish, the photo from 2022. the forms are small ‚ a ‚ ‘s and a few ( just small ) ‚ e ‚ ‘s. The large marge Simpsons looking towers are top parts from small ‚ a ‚ ‘s. , Artist, Künstler SEAK Claus Winkler

My art is making aware how women are. Nobody’s owns anybody, nonbody owns nobody. When spelling, saying my name, thinking my name, the mouth always stays open. Not like wide open when a Hollywood a lister celebrity female bragging on photos with having new boyfriend tummy D. Mouth open like a cobra, or they are at the dentist, flexing in front of the paparazzi. My name thought, and or spoken, open Just like natural open. I guess it amplifys eating food, smoking, astonishment, awe, post pregnancy, drinking something, putting things, body parts with in the area of the mouth, nose, eyes, ears, hair, etc.

Letter ‚ S ‚ by SEAK Claus Winkler

The element visual with in the picture is the artists ‘ S ‘. The ‘ S ‘ with in psychology represents the uncontrolled, unfiltered, uncultured, unreflected, animalistic, ego, senses, will. Wanting everything, direct, without empathy, cleverness, or what is useful, practical, or would make sense, free of the control.

Why is SEAK Claus Winkler’s artwork in most cases a misunderstanding between men & women? I the artist, the man, forget that my occupation is that of an artist. Iam getting signals. The correct words are Ioi’s, indicators of interests, or ‘ She Choosing ‘, Choosing signals. Me, in most cases with in my life, Iam not interested. To high standards, not my type, too much redflags, too young, too old, not single, lives too close, lives too far, wrong energy, wrong lifestyle, she just seeks validation, time waster, Etc. Iam getting the choosing signal, the Ioi from her, in the same second maybe a Millie second layer, already not just saying with my instinctive bodylanguage no, Iam although suggesting her what to do. Me being ‘ SEAK Claus Winkler ‘ my name, my programming is automated with in my name, the name already says it, go Take my advice, my wink, my hint, to this.

Me knowing female nature, without judging them, accepting them for how they are. Iam telling her, to go get it, appealing to her swine, Porca misera, boar, animalistic, hypergamous, carousel side suggesting her to go full on ‘ she belong to the streets, go to town, let yourself out busted, do the choo choo trains, amtrack, group activities, eat the prep pill, go raw dogging, planb, tinderella all the gigachads, etc, etc. being ‘ fair ‘, not being interested, giving her the mirror to look in. Telling ,suggesting her with bodylanguage, with my paintings what to do, cause i don’t believe word she says on being a ‘ good girl ‘ etc anyway. The ‘ ‘ She ‘ is referring to all women, as well as ‘ not all women ‘ , including attractive above passable Ts.

All the mentioned aboth happens unconcious with in middle seconds, with in my #art, when being on the street, at a restaurant, in a #museum, on a boat, everywhere. It’s my natural reaction frequency. A chairman Ceo (Vorstand ) from a famous german company/ cooperation, which is Lgbtq, told me years ago, during artbusiness her with in my studio “ that i knew too much “. I guess, he ment, that have too much knowledge about what people are hidding from the world, like sex, drugs, etc. that when being natural interacting it triggers.